‘I see trouble, up ahead…’
Call me a pedant but I have something of an obsession when it comes to Britpop. I have a checklist of all the bands that inspired me in the 90s and it is my life’s work to try and see them all live at some point. It’s not quite train spotting but it isn’t far off…
Ocean Colour Scene are a band that didn’t just define my childhood but also the 90s in general. The riff to ‘The Riverboat Song’ is as quintessentially 90s as Sonic the Hedgehog or Saved by the Bell. It was fitting then that the band used that very riff to kick off their unconventional gig at the Doncaster Racecourse.
Playing a racecourse is a tough gig. The crowd are miles away from the stage, they mostly haven’t come to see the music and a races crowd is perhaps more likely to contain scoundrels and trouble makers. Ocean Colour Scene have been doing this for over twenty years now however and they never seemed fazed. ‘The Riverboat Songs’ kicks things off and any fears that the venue won’t suit the band are firmly allayed.
The Birmingham five piece wisely begin with something of a hit parade with a storming ‘You’ve Got It Bad’ followed by an uplifting performance of ‘Profit in Peace’. Some Ocean Colour Scenes songs have aged better than others but ‘The Circle’ still sounds as vital as ever and is greeted with more enthusiasm than anything else so far.
Frontman Simon Fowler keeps on stage patter to a minimum and prefers the music to do the talking but he does comment “this ones about the band” before launching into an unstoppable rendition of ‘Better Days’. Fowler gives a brief band introduction before ‘So Low’ but there is one man who needs no introduction. Steve Cradock is one of the most talented guitarists of his generation and it is life affirming to see him attack his instrument with such gusto after so many years. Drummer Oscar Harrison leads the band from the back with a fury that matches Fowlers impassioned vocals. It is clear why this band remain so loved.
Simon Fowler returns to the stage for a solo acoustic version of ‘Robin Hood’ before the rest of OCS return for an obligatory run through of ‘The Day We Caught The Train’. The latter is a song I mostly skip now as I have heard it so many times but there is no denying it’s power as a live spectacle. Everyone in the crowd sings along and it feels like the perfect way to end a barnstorming set. You know a song is a classic when even the security guys are singing along…