It’s all that I can do, to sing these stupid songs to you…’
Britpop was more than just another movement. It was watching Oasis on Top of the Pops. It was singing along to Pulp in my front room. And amongst other things, it was listening to Slight Return by the Bluetones with my dad on holiday. A memory that I cherish. It isn’t just union jack tinted glasses or the nostalgia of youth that makes Britpop so important however. In many ways it was the last great youth movement, and with popular culture as fractured as it has ever been, it is feasible that nothing like Britpop will ever happen again.
It is for this reason that I kind of collect Britpop artists. I don’t mean I’ve got the bassist from Menswear locked in my cellar, but rather I collect live performances. My aim is to see every band who influenced me in the 90s and shaped my tastes for decades to come. Mark Morriss of the Bluetones was one to cross off that list and he didn’t disappoint…
Taking to the stage with a confident run through of Low Company from his 2013 album A Flash of Darkness, it is clear that Morriss has lost none of his boyish enthusiasm or charm. 25 years as a live performer have given Morriss a relaxed on-stage presence, and he rips into Doncaster as readily as he self-deprecates himself, meaning a ripple of laughter is never far away for the Doncaster crowd. Bluetonic is a bona fide, Britpop classic and it soars here, surprisingly suited to an acoustic rendering, even without the backing vocals. Solo tracks such as It’s Hard To Be Good All The Time and Consuela slot in seamlessly alongside classic Bluetones tracks but it is the latter that receives the best response with Cut Some Rug sounding abrasive as ever and Marblehead Johnson every inch the top ten hit that it is. The Beans follows, a straightforward stomp that is probably the best of Morriss’ new songs before a run through of the Bluetones Sleazy Bed Track closes out the first part of the set.
Morriss returns to the stage to play a couple of surprising and eclectic covers. It is unlikely that American folk band Midlake and tragic 90s boyband East 17 have ever been mentioned in the same sentence before but covers of both go down a storm with Morriss’ version of East 17’s ‘Stay Now’ being particularly successful. Donny is treated to a pair of Bluetones tracks to finish the set with Britpop anthem Slight Return followed by another 90s classic in the shape of If…
As when I saw ex-Seahorses frontman Chris Helme at the same venue, it is striking, not just how many good songs Morriss has, but also how accomplished and fresh his new material sounds. To still be performing after 25 years, you must love being on stage. That enthusiasm translates to the crowd and Mark Morriss is as good as anyone at making sure everyone leaves entertained, smiling and merry.
There is a disappointing tendency in Doncaster for people to get a little sniffy about events that people have worked really hard to organise. Comments like ‘Are they still going?’ are wilfully negative and help to contribute to the reputation of Doncaster as a cultural wasteland. If these people actually attended any of the numerous venues that make up Doncaster’s live music scene, they would realise they are being grossly unfair.
Let’s get something straight first of all. Crazy Town are a million selling artist who have had a number of top 40 hits in both the UK and in their home country of America. It is a massive coup for the Woolpack to bag such a well known band and everyone involved should be proud of all their good work.
After an interesting but slightly repetitive set from Tokyo metal band Loka, Crazy Town took to the stage with little fanfare and started playing. It took the band a couple of songs to sort the sound out but by the time they belted out ‘Toxic’ they sounded in good voice.
Band leader Shifty Shellshock has been through a lot since the bands worldwide smash ‘Butterfly’ topped the US charts. Bereavement and addiction have taken their toll on the rapper and he is no longer the fresh faced front man who dominated MTV for a while there in the 00’s. That isn’t to say that he doesn’t still have the fight as he spends the full gig jumping around the stage and interacting with the crowd. He clearly still loves the music and he has assembled a talented band with bassist Hasma Angeleno particularly impressing.
As much as the crowd were enthusiastic throughout, realistically most people were waiting for ‘Butterfly’. I’ve always been of the mind that your best song should be embraced rather than shunned. A band should be proud to have written a song that has resonated with so many, rather than being ashamed that magic didn’t strike twice. The opening bars of the Red Hot Chili Peppers sampling track raised a huge cheer from the rowdy crowd and Shifty put in his best vocal performance of the evening.
The LA band still had a couple of aces up their sleeve however, the single ‘Drowning’ still sounds great. After leaving the stage, chants of ‘Crazy Town’ bring Shifty and co back on stage for a seemingly impromptu run through of ‘Butterfly’ follow up ‘Revolving Door’. It is nice to see a band and audience in symbiosis and everyone goes away from the gig happy.
One hit wonder? For tonight at least, Crazy Town have so much more about them than that.
Rob Johnson – www.robwatchesmovies.com