“I know, you love the song but not the singer…”
There is a temptation when covering local music to just declare everything brilliant and be done with it. I mean, nobody wants to lose those sweet press passes after all. For me, this culminated in an overwhelmingly positive review for a decidedly average show from Sheffield band the Sherlocks and a feeling of soul destroying shame for having been such a sell out. After that abomination was published, I vowed to be more honest, as seen in this review of a bizarre day in the heart of Askern.
It is that spirit then, and not just plain grumpiness, that informs the start of this review. Let’s talk about all the things that were wrong with Placebo’s set before we get to the good stuff. First off, the band came out to a video celebrating their 20th year. This is all well and good except it had a backing track of ‘Every You Every Me’ which meant they didn’t actually play the song live during their set.
Everything from third album Black Market Music onward sounded thrilling but the limp performances of their earlier songs left an indelible stain on an otherwise brilliant night. While opener ‘Pure Morning’ sounded OK, we had a seven song wait for the band to play another song from their early career. ‘I Know’ is a blistering and visceral track on record but tonight it sounds turgid and uninspired with frontman Brian Molko constantly out of tune and disinterested. Even worse is a dire run through of a slowed down ’36 Degrees’. It is genuinely baffling that the band could take such an exciting song and turn it into this plodding and tedious mess and even crowd favourite ‘Nancy Boy’ feels rushed and aloof. Aside from a forgettable trudge through ‘Without You I’m Nothing’ that’s it for the first two albums.
Admittedly, I feel more affronted by this than I probably should. I lost interest in Placebo somewhere around the time of Sleeping With Ghosts and that is hardly the bands fault. That doesn’t excuse such a lazy butchering of their own back catalogue however. If they can’t be arsed to play those songs properly it would be better for them to drop them from the set completely.
With that out of the way, what of the rest of the night? The opening salvo of ‘Loud Like Love’ and ‘Jesus’ Son’ acts as a blistering template for the rest of the night with the band attacking their instruments to provide a more fleshed out live sound.
‘Special Needs’ takes a gawky song title and turns it into something beautiful before an incendiary rendition of set highlight ‘Twenty Years’. The latter is an example of just how impressive a live spectacle the band can provide when they put their mind to it.
Brian Molko and co bring out all the hits to end the first part of the evening with ‘Special K’ receiving possibly the biggest crowd response of the night before the unmistakable opening riff from ‘The Bitter End’ pierces the Doncaster air.
The band end their set with a show stopping performance of their beloved cover of the Kate Bush classic ‘Running up that Hill’. It’s weird that Placebo are such an excellent covers band when they have so little respect for their own back catalogue…
Overall, Placebo just about did enough to justify the ticket price but if the back slappery and self congratulation of local music is to be condemned, then it must also be censored in the mainstream. This was a good performance but one plagued with poor decision making and a lack of effort.
Rob Johnson – www.robwatchesmovies.com
This is not an exhaustive list (check out the excellent weekly Doncopolitan listings for that) but rather some of the major events taking place in Doncaster in the next couple of months or so.
One of Doncaster’s more intimate venues has a couple of great gigs lined up, with Britpop mainstays Chris Helme and Hurricane #1 both gracing The Leopard before the year is out.
Chris Helme was the lead singer in the popular Britpop band the Seahorses and has released numerous albums under his own name. Helme rocks up to The Leopard on 7th October. You can grab tickets here.
Hurricane #1 are from a similar era and are perhaps best known for their smash hit ‘Only the Strongest Will Survive’. Another gig not to be missed. The gig takes place on 10th October and tickets are available here.
Diamond Live Lounge
Diamond have consistently booked interesting and critically acclaimed bands and they have a couple more big names due to appear in November.
The Hoosiers are celebrating the 10th anniversary of their number 1 album The Trick to Life. The record spawned hit singles such as ‘Worried About Ray’ and ‘Goodbye Mr A’ so their gig at Doncaster most beautiful venue promises to be a belter.
Goldie Lookin’ Chain have form in Doncaster having once memorably performed at Belle Vue, the much missed former home of Doncaster Rovers. The Welsh rappers will be joined by Doncaster legend MC Devvo on 17th November. Tickets here.
Doncaster’s largest venue is always capable of attracting the big names and multi million selling rock band Placebo are as big as they come. The US rockers are gracing the Dome on 10th October. Click here for tickets.
Finally we have us NU-Metal band Crazytown bringing their brand of rap/rock to The Woolpack. It is a real coup for the market place pub to host a multi million selling artist in what promises to be an intriguing night. Tickets available here.